黔灵风光好 万象映禅机——清代黔灵山写景诗管窥  

The Buddhist Tenets from Description of Scenery for Qianling Mountain in Qing Dynasty

作　　者：杨锋兵[1] 

机构地区：[1]贵州民族大学文学院,贵州贵阳550025

出　　处：《贵州文史丛刊》2016年第2期105-109,共5页GUIZHOU CULTURAL AND HISTORICAL JOURNAL

基　　金：国家社科基金项目"明清贵州佛教诗文整理与研究"〔编号:14XZW039〕阶段性成果

摘　　要：黔灵山以佛教禅宗文化和奇丽的自然景观为特色。清代黔灵山写景诗,在展现自然人文景致的同时,以"本来面目"、"明月"、"本源"、"宝光"等象征语汇来体认禅宗哲学中本心的澄明、觉悟、圆满的内涵与质性;以"幻影"、"游子"、"乡关"等词汇反省本心失落的缘由;以"隔尘渐修"、"骑牛归家"、"截断两头"等象征性话语探讨重现本心本性的开悟方法;以"一切现成"、"拈花微笑"的禅悟观照揭橥禅者回归本心本性时的禅悟境界。The features of Qianling Mountains are Buddhist culture and magnificent natural landscape. The poems from Description of Scenery in the Qing dynasty show the natural and cultural landscape, and at the same time, these poems recognized the heart＇s clarity with the symbol vocabulary like ＂Moon＂ and ＂ glory＂ ; they reflected on the reason for the loss of heart; they explored the methods returning the nature of enlightenment with ＂the ride home＂ , ＂ truncated at both ends＂ ; and they advocated returning to the heart of Zen nature with the words ＂All are existed, picking the flowers and smile ＂ as the Buddhist＇ s opening viewpoint..

关 键 词：黔灵山 诗歌 禅思 

分 类 号：I207.22[文学—中国文学]