从影片《金银滩》看民族、阶级与国家  

Nation,Class and State on the Text of Film The Gold and Silver Grassland

作　　者：王华[1] 崔思滢 

机构地区：[1]山东大学,山东济南250100

出　　处：《青海民族大学学报（社会科学版）》2016年第3期134-139,共6页Journal of Qinghai Minzu University：Social Sciences

基　　金：王华主持的国家社会科学基金项目"民族影像与国家形象塑造:新时期少数民族题材纪录片变迁和传播研究(1979至今)"(项目编号:11CXW012)的阶段性研究成果

摘　　要：上海电影制片厂出品于1953年的电影《金银滩》,是新中国成立初期反映少数民族故事的代表影片。播映之初,在国内外引起了强烈反响。然而,影片在1958年突然遭遇禁播,直到数十年后才重新回归公众视野。本文选择从民族、阶级、国家三个角度,层层解读《金银滩》中所蕴含的中国前后近百年的多民族故事,透视影像中的阶级叙事、民族国家意识、社会流动话语的复杂交织,并对其书写历史的语境加以探寻。The film The Gold and Silver River Band produced by Shanghai Film Studio in 1953, is a representative work on minority subjects in the Early Years of New China. At the beginning of the release, it had aroused strong repercussions at home and abroad. However, it suffered a ban in 1958, and retumad to the public view after decades of years. It is difficult to discuss all these sorts in a word. Consequently, this paper chooses to analyse from nation, class, and state, to interpret the multi national stories contained in China for nearly a century and to explore the historical context through the complexity co-exist of class narration, national consciousness and the mobility of social population.

关 键 词：《金银滩》 少数民族 阶级 国家话语 

分 类 号：J902[艺术—电影电视艺术] D633[政治法律—政治学]