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作 者:任也韵[1]
机构地区:[1]北京师范大学艺术与传媒学院音乐系
出 处:《民族艺术研究》2016年第5期106-112,共7页Ethnic Art Studies
摘 要:作为艺术学一级学科的艺术学理论(艺理学),能统整各门类艺术的理论依据是什么?"整合""打通"各门类艺术的方法从何而来?该文研究认为,将人学介入其中是一个新的研究视点。人学是研究作为完整的人及其存在和发展规律的科学。艺术学理论应在人学的基本原理运用的基础上把握守候学科本质。追问艺术学理论的人学意义,揭示人"类"的本质存在、人"群"的平等存在、"个体"的全面存在是艺术何以存在、艺术如何存在的依据。由此,人作为"类""群体""个体"的不同形态是艺术学理论统整各门类艺术、形成新的学科划分的依据之一。What i.s the theoretical basis of the integration of various forms of arts of the Theory of Art Studies (Art Theory Studies) which is the first- level subordinate discipline under the Art Studies? Where do the methods of "integrating" and "penetrating" various forms of arts come from? The paper reckons that the in- troduction of humanology is a new research perspective. Humanology is a science that studies the human as a whole and the existence and development of humans. The Theory of Art Studies should grasp the essence of the subject on the condition that the basic principles of humanology are applied. Pursuing the significanees of humanology in the Theory of Art Studies, revealing the essential existence of human "race", the equal existence of human "groups" and the overall existence of "individuals" are the evidence of why arts exist and how arts exist. Therefore, human in the forms of "race" ," group" and "individual" is not only the theoretical basis of the integration of various forms of arts of the Theory of Art Studies, but also one of the criteria of new disciplinary classification.
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