汉唐盛世文化与艺术的相互促成  

The Interactive Facilitation between Culture and Arts in the Han-Tang Glorious Period

作　　者：黄永健[1,2] 岳顶聪 王乐乐[1] 

机构地区：[1]深圳大学文化产业研究院 [2]深圳大学艺术设计学院

出　　处：《民族艺术研究》2016年第5期211-217,共7页Ethnic Art Studies

基　　金：2013年国家社科基金艺术学一般项目"艺术在中华文化复兴中的建构作用研究"(13BH081);2014年国家自然科学基金面上项目"艺术地理学与当代中国城乡发展的艺术干预";广东省研究生教育创新计划资助项目(项目编号:0000050701)阶段性成果~~

摘　　要：因历史语境的制约,艺术文化、艺术文化系统中不同的艺术门类以及不断产生的艺术新门类在人类历史的长河中呈现出参差不齐的发展态势。汉唐艺术作为汉唐文化价值系统中的有机组成部分,其盛衰起落必然受到汉唐时代文化大系统的影响和制约,例如在文化创新语境中,在文化传播以及文化涵化背景下,艺术文化会随着大文化系统的变动变化,而发生兴衰荣枯的演化历程及表象呈现。汉唐盛世文化与艺术的相互促成关系也可以从这三个方面加以论证。Restricted to the historical context, different development situations appeared in the long human history in terms of artistic culture, different artistic genres in the artistic cultural system and new artistic genres emerging continuously. The ups and downs of the arts in the Han - Tang period, as an organic consti- tuting component of the Han- Tang cultural value system, were inevitably influenced and restricted by the macro - system of culture in the Han- Tang period. For example, in regard to the cultural creative context and the context of cultural dissemination and cultural encuhuration, artistic culture will change along with the macro cultural system and consequently, experience rise and decline in various forms. The relationship of interactive facilitation between culture and arts in the Han -Tang glorious period can then be discussed in these three aspects.

关 键 词：文化 艺术 汉唐盛世 汉唐艺术 

分 类 号：J0-05[艺术—艺术理论]