汉画蕴含的儒家文化思想  

Confucianism Embodied in the Chinese Paintings of the Han Dynasty

作　　者：唐建[1,2] 

机构地区：[1]中国艺术研究院中国画院,北京100000 [2]山东大学文学与新闻传播学院,山东济南250013

出　　处：《兰州大学学报（社会科学版）》2016年第5期121-131,共11页Journal of Lanzhou University（Social Sciences）

摘　　要：儒家文化思想是汉画产生和形成的主要思想内核之一,是其艺术表现、审美意蕴以及美学特征形成的内因,只有通过系统地考察与研究,才有可能真正理解、掌握汉画表象之下所蕴含的艺术本质,从而将其上升为对汉画艺术规律和审美思想的思考。以汉画蕴含的儒家文化思想为切入点,会为汉画题材、内容和艺术表现等的剖析带来文化的视域、美学的高度和方向性的思考。Confucianism is one of the main ideologies that the Han paintings are composed of. It is the internal element determining the artistic expressions, aesthetic connotations and aesthetic characteristics of the Han paintings. Only through systematic investigation and research, it is likely to really understand the essence of the Han paintings, thus achieving the reflection and meditation upon the artistic philosophy and aesthetic ideologies embodied in the Han paintings. Starting from the Confucian ideologies embodied in the Han paintings, this paper has analyzed the theme, content and artistic expressions of the Han paintings in order to reveal their cultural vision, aesthetic height and ideological implications.

关 键 词：汉画 儒家文化思想 天人合一 仁义礼智信 孝文化 入世思想 

分 类 号：B222.9[哲学宗教—中国哲学]