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作 者:王宗峰[1]
出 处:《海南师范大学学报(社会科学版)》2016年第10期55-60,共6页Journal of Hainan Normal University(Social Sciences)
基 金:国家社科基金青年项目"当代中国‘革命集体记忆’书写史研究"(项目批准号:12CZW017);安徽省2014年度高等教育振兴计划人才基金(皖教秘[2014]181号);安徽省人力资源和社会保障厅省学术和技术带头人及后备人选资助项目(项目批准号:2015H048)
摘 要:《在延安文艺座谈会上的讲话》中,毛泽东所倡导的文艺的服务对象问题通常被整合为"文艺为工农兵服务,文艺为政治服务",并被尊为当代中国文艺"二为"方针的缘起;然而,这种长期以来的共识却忽视了毛泽东文艺思想中的第三"为"观念,即"为世界上最大多数人服务"。从毛泽东本人、周恩来及其他相关信息和材料中可以推断出毛泽东文艺思想中第三"为"观念的存在。这种表征着无产阶级文艺"世界性"之维的第三"为"实质上是无产阶级革命世界化的产物。In The Speech at Yan'an Forum on Literature and Art,the service object of literature and art advocated by Mao Zedong has been integrated into two aspects—"literature and art serve workers,peasants and soldiers",as well as serve politics"—which has long been hailed as the source for the policy of "the two services"concept in contemporary Chinese literature and art. Nonetheless,such a long-standing common view has neglected the "third"service concept in Mao Zedong's thought on literature and art,i. e. the service of literature and art for the greatest number of people in the world",for the existence of the "third service"concept can be inferred from Mao Zedong himself,Zhou Enlai and other relevant information and materials. The third"service"representative of"globalism"in proletarian literature and art is virtually the product of proletarian revolution worldwide.
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