论罗蒂审美思想中偶然性的思维方式之美学革新意义  

Aesthetic Innovative Significance of Contingency Thinking in Richard Rorty's Aesthetic Approach

作　　者：郝二涛[1] 

机构地区：[1]中国社会科学院研究生院,北京102488

出　　处：《唐都学刊》2016年第6期112-119,共8页Tangdu Journal

摘　　要：罗蒂的审美思想体现了一种偶然性的思维方式,这种思维方式是在批判西方传统哲学中的本质主义思维方式的基础上形成的。本质主义思维方式是德国古典美学的主要思维方式,而德国古典美学又是中国现代美学的主要来源。因此,中国现代美学的主要思维方式也是本质主义思维方式。本质主义思维方式由知识论、表象论和认识论组成,具有基础主义、表象主义和二元对立的特点。因此,罗蒂审美思想中的偶然性的思维方式对中国现代美学的本质主义思维方式具有革新意义。Richard Rorty＇s Aesthetic approach reflects his contingency thinking,which is built upon the essentialism way of thinking by criticizing the traditional western philosophy. The essentialism way of thinking belongs to German classic aesthetics,which is also the main source of Chinese modern aesthetics. Accordingly,the main thinking mode of Chinese modern aesthetics is also similar to the essentialism way of thinking,which is made up of the theory of knowledge,presentationism and epistemology,featured by foundationalism,representationalism and binary oppositions. Therefore,the contingency thinking in Richard Rorty＇s Aesthetic Approach is of certain aesthetic innovative significance for Chinese modern aesthetics.

关 键 词：审美伦理 偶然性 本质主义 革新 

分 类 号：B82-054.9[哲学宗教—伦理学]