清初东渡视域下的胜朝书写——浙东遗民张斐的文学审视  

The Old Dynasty Writing at the Beginning of the Qing Dynasty: a Literary Review of Zhang Fei

作　　者：敖运梅[1] 

机构地区：[1]宁波大学人文与传媒学院,浙江宁波315211

出　　处：《宁波大学学报（人文科学版）》2016年第6期17-24,共8页Journal of Ningbo University：Liberal Arts Edition

摘　　要：明末清初因家国覆亡、地域性格及个体遭际的不同,由此形成了特定时代文风的情感基调。清初浙江诗人张斐,因遭逢家国覆亡的人生经历,其诗文主题变家国之痛为家国之愁,变地域性格为异域风情,其学人之思与"经世致用"思想及其壮志未酬的胸怀相激荡,包括其两次乞师日本的挫败,皆呈现出反清复明事业的末路境况,其诗歌创作兼有"大历诗风"的诗文创作范式,由此,张斐亦完成了自身胜朝身份的文学书写及其遗民行为的经典诠释。The subversions of the state and the individual, the regional features and individual sufferings in the late Ming Dynasty and early Qing Dynasty contributed to the formation of the emotional keynote for the literary creation of that era. Zhang Fei, a poet in Zhejiang Province at the beginning of the Qing Dynasty, did not change his theme from the pain of home and country to the anxiety for them, from regional characters to exotic custom, and achieved the combination of unrealized ambitions with the beliefs of learning others＇ thoughts and ＂humanistic pragmatism＂ idea until he was confronted with the decay of the state and home. His failure of seeking support from Japan strongly reflected the decline of his cause of reconstructing Ming Dynasty. In addition, his poems fully embody the poetic style in the rule of the emperor Daizong of Tang Dynasty. Therefore, he earned himself the identity of the sacred dynasty in the literary way and perfectly interpreted the homeless people＇s behaviors.

关 键 词：清初 遗民 张斐 乞师 诗歌 

分 类 号：I206.2[文学—中国文学]