“左眼”看中国的三种视像——萨特、安东尼奥尼和罗兰·巴尔特中国行文本的互文性分析  

Three Images of China Seen by the "Left Eye" ——An intertextual analysis of Sartre's,Antonioni's and Barthes' texts of their Chinese visits

作　　者：阎伟[1] 谈微姣[1] 

机构地区：[1]中南财经政法大学新闻与文化传播学院,湖北武汉430073

出　　处：《湘潭大学学报（哲学社会科学版）》2016年第6期84-89,共6页Journal of Xiangtan University:Philosophy And Social Sciences

基　　金：2015年国家社会科学基金项目"萨特的大众传播思想和媒体实践文学研究"(项目编号:15BWW004)阶段性成果

摘　　要：欧洲左翼知识分子萨特、安东尼奥尼和罗兰·巴尔特分别于1955、1972和1974年访问中国,并各自留下亲历中国的记录文本。由于政治立场和思想观念的差异,以及中国行不同的在场遭遇,他们关于中国的感受见解大相径庭。萨特的"红色中国"观、安东尼奥尼的"两种表情"中国论和罗兰·巴尔特的"负片(Negative Film)中国"观,除了分别显示他们"积极介入"的存在主义文学观、"积极疏离"的间离理论和"判断悬置"的现象学方法外,还展现了西方马克思主义学者观察中国时视点转化历时化的过程。他们中国行的三种视像不仅有助于我们理解西方左翼知识分子的中国立场嬗变,也为我们认识特定时期的中国社会历史提供了新的视角。European left-wing intellectuals Sartre,Antonioni and Roland Barthes visited China respectively in 1955,1972 and 1974,and left over their recorded texts about China. They had very different feelings and opinions about China due to the differences in their political stance and ideas,and in their experiences of their visit to China. This paper argues that Sartre's concept of ' Red China',Antonioni's theory of ' two kinds of Chinese expression' and Roland Barthes' concept of ' Negative Film' of China,not only respectively shows the ' positive commitment' of the existentialism view on literature,the ' positive alienation' of the theory of alienation,and the ' suspension of judgment'of the phenomenological method,but also reflects the process of the transformation of the western Marxist scholars' perspectives in their observation of China. The three images of China constructed in their texts,not only help us to understand the change of the western left-wing intellectuals' standpoints on China,but also provide a new perspective for us to view Chinese society and history during a particular period.

关 键 词：萨特 安东尼奥尼 罗兰·巴尔特 左翼知识分子 中国观 

分 类 号：I0-02[文学—文学理论]