演艺类文化遗产民俗型传承场域的当代建构——以安徽省蚌埠市冯嘴子村民俗活动传承花鼓灯为例  

The Modern Construction of Custom Inheritance in Cultural Heritage of Performing Arts: a Case Study of Hua-gu-deng Dancing Opera in Feng-zui-zi Village,Bengbu City,Anhui Province

作　　者：陈德琥[1] 

机构地区：[1]蚌埠学院淮河文化研究中心,安徽蚌埠233030

出　　处：《贵州大学学报（艺术版）》2016年第5期110-115,共6页Journal of Guizhou University Art Edition

基　　金：2014年教育部人文社会科学研究规划基金"花鼓灯艺术表演场域研究"(项目编号:14YJA760001);2016年安徽省"高校优秀中青年骨干人才国内外访学研修重点项目"(项目编号:gxfx ZD2016282)

摘　　要：在农耕文化背景下,演艺类文化遗产经历了"咒语多变成颂歌"的演替历程,并藉民俗仪式出场路向得以长足的发展,民俗型表演场域即成为演艺类文化遗产自由衍生、自然传承的基本空间。因此,建构当代民俗型传承场域是演艺类文化遗产源头性、原生性、整体性和共享性的保护策略,对其自然传衍影响深远。花鼓灯在婚庆、节庆、祭祀等民俗仪式活动中自由发展状况便是显例。In the context of farming culture,cultural heritage of performing arts has undergone an evolution ＂from incantation to carol＂and has gained a rapid development with the folk rituals. The performance field of folk custom has provided the space for the natural transmission and inheritance of cultural heritage of performing arts. It is therefore of profound effect to construct the origin,originality,integrity and sharing of modern inheritance field for folk custom. And one typical example is the performance of Hua-gu-deng dancing opera in the folk ceremonies,such as,wedding,festivity and sacrificial rituals.

关 键 词：演艺类文化遗产 民俗型传承场域 自然传衍 花鼓灯 

分 类 号：J026[艺术—艺术理论]