高甲戏与闽南乡土社会  

Gao Jia Opera and Local Society in Southern Fujian

作　　者：洪映红[1] 黄雅君[1] 

机构地区：[1]集美大学文学院,福建厦门361021

出　　处：《广西民族师范学院学报》2016年第5期44-47,共4页

基　　金：国家社会科学基金项目(14BYY048)"闽南农村汉语方言词汇变化研究";省社科规划项目(FJ2015A017)"闽南村落家族文化的当代变迁研究"

摘　　要：作为闽南地区最重要的地方戏种之一,高甲戏在形成发展的历程中,始终根植于闽南乡土社会,兼收并蓄各优秀剧种的精髓,从而得到丰富并发展。高甲戏的戏目内容和表现形态,蕴含着的闽南人的性格特质,以及浓郁的闽南地域民俗文化特点,高甲戏是闽南乡土社会民间生活的产物。纵观历史进程,高甲戏的发展几经风雨,但在高甲戏活态传承和戏种恢复的当代,闽南高甲戏未来的发展可望能得到繁荣和稳定。As one of the most important local operas in southern Fujian, Gaojia Opera has been rooted in the local society of southern Fujian and absorbed the essence of the outstanding operas in the process of its development and formation. Thus it has been enriched and developed. The content and manifestation of the opera in Gao Jia ＇s opera, the character traits of people in southern Fujian, and the rich folklore characteristics of southern Fujian are the products of the local folk life in southern Fujian. Throughout the historical process, the development of a high drama a few storms, but a high drama in the active heritage and drama of the contemporary recovery, the development of the future is expected to be prosperous and stable.

关 键 词：高甲戏 乡土社会 闽南 

分 类 号：I236[文学—中国文学]