论苏雪林文学批评的新人文主义色彩  

A Talk on New Humanism of Su xuelin's Literary Criticism

作　　者：刘旭东[1] 康丽云[1] 范林锋 

机构地区：[1]宜春学院文学与新闻传播学院,江西宜春336000 [2]宜春袁州区西村镇淇田小学

出　　处：《宜春学院学报》2016年第10期87-91,共5页Journal of Yichun University

基　　金：江西省2014年社科规划项目"从王国维到‘京派’:现代中国文学中的‘人文批评’研究"(项目编号14WX19)

摘　　要："人文批评"是现代中国文学批评史上与"科学批评"相对应的一种流脉,新人文批评是其在20世纪30年代的具体呈现。梁实秋与苏雪林作为新人文主义批评的重要代表,前者重在理论推介,后者重在批评实践。受梁实秋影响,苏雪林的文学批评有鲜明的新人文主义色彩。她坚持把作家人格与作品价值同等看待,体现出伦理与艺术的双重标准;她认为文学应表现人性,作品才会有永久性;她重视调理性对情感的中和作用,进而强调文学的规则。Humanistic criticism is a kind of trend as opposed to the Scientific criticism in the history of modern Chinese literature criticism. The new humanistic criticism is the embodiment in the 1930 ＇ s. Liang shiqiu and Su Xuelin are an important representative of the new humanistic criticism. Liang focuses on the theory,Su focuses on critical practice. Affected by Liang shiqiu,Su Xuelin＇ s literary criticism has a bright new humanism. She insisted that the writer＇s personality and work as a peer,value reflect the double standards of ethics and art; She thinks that literature should show the human nature,the work will be permanent; She attaches great importance to the rational neutralization of feelings,and emphasize the rules of literature.

关 键 词：人文批评 苏雪林 梁实秋 新人文主义 

分 类 号：I206.6[文学—中国文学]