论宋代睡隐诗的典故意象  

On the Literary Quotation and the Imagery of the Poems about Seclusion in Sleeping

作　　者：林晓娜[1] 

机构地区：[1]汕头大学文学院中文系,广东汕头515063

出　　处：《聊城大学学报（社会科学版）》2016年第6期27-33,共7页Journal of Liaocheng University:Social Science Edition

基　　金：汕头大学科研启动基金项目(STF13005):北宋隐逸诗与隐逸文化研究

摘　　要：宋代以"睡眠"为题材的诗歌较之唐代大大增加,"睡眠"成为隐逸诗中的重要题材之一。"睡隐"的直接典故来源是陈抟高卧,宋人对陈抟高卧的赞颂源于陈抟的隐士形象符合宋人的仕隐观念。宋代的昼寝诗把"宰予昼寝"之懒和"边韶昼眠"之达融合,表达谩世鄙俗、宠辱不惊的兀傲情怀。宋诗中"隐几"经常运用《庄子》"南郭隐几"的典故,还用"隐几"展示文人读书参禅悟道,看云山水月、听松风泉鸣的闲适恬淡生活。There are more poems about sleeping in Song Dynasty than in Tang Dynasty. Sleeping is one of the most important subject in the Reclusive Poetry of Song Dynasty. Seclusion in sleeping comes from the story of Chen Tuan＇s deep sleeping. Many poets in Song Dynasty praise Chen Tuan because his personality was in accord with their attitude toward officialdom and seclusion. The poem about sleeping in the daytime in Song Dynasty intermingle Zai Yu and Bian Shao＇s daytime sleeping, and express the authors＇ proud feelings. Leaning on a table comes from ＂Zhuang Zi＂ , and describes the carefree and quiet life of literary man.

关 键 词：睡隐 高卧 昼寝 隐几 

分 类 号：I206.2[文学—中国文学]