论迟子建小说中的死亡美学  

Death Aesthetics in CHI Zi-jian's Novels

作　　者：许雪姣[1] XU Xue-jiao(College of Liberal Arts, Anhui University, Hefei 230039, Anhui, Chin)

机构地区：[1]安徽大学文学院,安徽合肥230039

出　　处：《安庆师范学院学报（社会科学版）》2016年第5期45-49,共5页Journal of Anqing Teachers College(Social Science Edition)

摘　　要：死亡意识是迟子建化不开绕不去的一个浓郁情结。想象性与现实性、暴力性与温情性、空灵性与充实性是迟子建小说中死亡意识的双声话语表现,超越了绝对的界限而达到有机统一。究其成因,主要有萨满教原始思维的浸淫、道家的人生哲学和以神话为前提的多元艺术融合。作为表现及成因的延伸点,死亡意识的价值也相应在宗教、伦理和美学三个方面具有拓展性意义。Death consciousness is the strong complex of CHI Zi-jian that cannot be avoided. Imagination and reality, violence and warmth and emptiness and fullness are the reflection of the dual-voice discourse of death consciousness, which is beyond the absolute limitation and achieves the organic unity. The causes of his death consciousness mainly include the Shamanism thought, Taoist philosophy of life and multiple art fusion with myths as the premise. As an extension of the performance and origin, the value of death consciousness is also significant in religion, ethics and aesthetics.

关 键 词：迟子建 小说 死亡美学 双声话语 价值取向 

分 类 号：I207.42[文学—中国文学]