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作 者:高红梅[1]
机构地区:[1]内蒙古财经大学人文学院,内蒙古呼和浩特010070
出 处:《内蒙古财经大学学报》2016年第6期62-65,共4页Journal of Inner Mongolia University of Finance and Economics
摘 要:飞禽意象的传统在《诗经》中就屡见不鲜。唐诗宋词中出现的大量描写飞禽形象的作品,描写种类之多、描写频率之高、描写侧重点之不同、甚至出现的飞禽形象的种种差异,为我们提供了审视唐宋不同美学气质的新角度。本文试图通过选取有代表性的飞禽形象在唐宋文化中的呈现,进行对比分析研究,以期了解不同历史阶段的文化审美取向在这一特定领域的微观反映。The traditional image of birds appears frequently in the "Book of Songs". A description of Bird Image often appeared in the works of Tang and song dynasty. The sorts and description of differences between the frequency and the description of different emphases and even the bird imageprovide a new perspective for us to view different aesthetic temperament of the Tang and song dynasties. This paper selects the representative image of birds in the Tang and Song Dynasties culture, carries out a comparative analysis so as to understand the micro reflection of different historical stages of the cultural and aesthetic orientation in this special field.
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