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作 者:胡东辉[1]
机构地区:[1]吉林师范大学音乐学院
出 处:《黄钟(武汉音乐学院学报)》2016年第4期125-131,共7页Huangzhong:Journal of Wuhan Conservatory of Music
摘 要:将金元时期的民间俗曲《九转货郎儿》应用于佛乐,首见于《永乐北藏》中的《诸佛世尊如来菩萨尊者名称歌曲》集,但该集中只记载有曲名、牌名与歌词,并无曲调。本文依据中国传统音乐"一曲多词""一曲多变"的传承特点,通过对俗曲《九转货郎儿》与佛曲《转调货郎儿》的歌词词格对比分析,探讨两曲曲调之间可能存在的相依相存之关系,从而进一步认识宋、元以降的佛曲民俗化问题。Folk song Jiu Zhuan Huolang Er in Jin and Yuan Dynasties was one of the representative works.It stood out from the folk tune 'Jiao Sheng',and had an important impact to rap music and opera music.Being applied this tune to Buddha song;the first one was in The Buddha name set of songs in Yongle Beizang.But it only had a name of song,title of qupai and lyrics while there was no tune.On the basis of the inheritance characteristics of Chinese traditional music 'one tune with different lyrics' and 'one tune with multi changes',through the comparative study of folk songs lyrics between Jiu Zhuan Huolang Er and Zhuandiao Huolang Er,to explore the relationship between the two tunes possible existence dependency,so as to have a further understanding the issue that the Buddha songs gradually being folksy in Song and Yuan Dynasties.
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