观念转型:新媒体时代的电影与电影教育  

Concept Transformation:Film and Film Education in New Media Era

作　　者：陈晓云[1] 袁佳[1] CHEN Xiao -yun YUAN Jia(School of Art and Media, Beijing Normal University, Beijing 100875)

机构地区：[1]北京师范大学艺术与传媒学院,北京100875

出　　处：《艺术百家》2016年第5期90-93,共4页Hundred Schools In Arts

基　　金："中央高校基本科研业务费专项资金资助"阶段性成果之一

摘　　要：新媒体时代的到来,在潜移默化地改变人类生活方式、生存方式与思维方式的同时,也深刻改变了影像创作、传播与接受的方式,不仅挑战了传统影像时代的技术与知识系统,变革了影像行业/产业旧有的运作模式,而且已然开始动摇传统影像时代的理论与美学根基。于传统影像时代蓬勃兴起的中国影视教育,如何应对新媒体时代多方面的挑战,已成为不可回避的严肃课题。文章拟从电影观念的转型出发,对影像教育的观念转型与格局转型问题进行论述。The arrival of new media era has silently changing people＇s way of life, and way of thinking, and meantime changing video creation, spreading and accepting. It not only challenges the technology and knownledge system of traditional video, but also reforms the old operating mode of past video idustry, and has already shaken the theoretical and aesthetical base of traditional video era. How Chinese film education popular in traditional video era confronts with challenges in new media era has become an unavoidable and serious issue. In this paper, we try to discuss the concept transformation and situation transformation of film education from the perspective of film concept.

关 键 词：当代中国 电影艺术 新媒体影像 电影观念 影像教育 转型 

分 类 号：J90[艺术—电影电视艺术]