回望戏曲史:重评戏曲形成的价值和意义  

Taking a Look Back of the History of Traditional Chinese Opera:Re-Review of the Value and Significance of the Generation of Opera

作　　者：冯健民[1] FENG Jian - min(Jiangsu Provincial Research Institution of Culture and Arts, Nanjing, Jiangsu 210005)

机构地区：[1]江苏省文化艺术研究院,江苏南京210005

出　　处：《艺术百家》2016年第5期162-167,共6页Hundred Schools In Arts

摘　　要：有人说,中国只有"戏曲文学史",而无"戏曲艺术史",诚哉斯言!我们只要看一下传统戏曲史对戏曲形成的评价,便可窥其一斑。戏曲是一门伟大的艺术,它的形成也是中国艺术史上的一个重要事件,但遗憾的是,在传统戏曲史中却只有"文学"评价而无"艺术"评价。文章冀望在回溯传统戏曲史论的基础上,试从艺术学的视角重评戏曲形成的价值和意义,并同时探讨传统戏曲史论未能给戏曲形成以公允评价的因由。Somebody says that China only has theatre literature history but has no opera art history. That is true. When taking a look of the appraisal of the generation of opera in traditional opera history, we could recognize that. Opera is a great art, and its emergency is a very significant event in Chinese art history, but it is a pity that there is only literal review but no artistic review in traditional opera history. In this paper, I try to re - comment the value and meaning of the emergency of opera from the perspective of art science based upon a look back of the traditional opera history, and meanwhile I will discuss the cause of unjust appraisal of opera in past times.

关 键 词：中国戏曲 戏曲艺术史 戏曲形成 戏曲史论 戏曲艺术 

分 类 号：J80[艺术—戏剧戏曲]