事件与艺术:利奥塔的语位政治学和后现代的崇高美学  

Event and Art:Lyotard's Politics of Phrase and the Postmodern Sublime

作　　者：周慧[1] 

机构地区：[1]中山大学外国语学院英语系

出　　处：《文艺理论研究》2016年第6期73-80,共8页Theoretical Studies in Literature and Art

基　　金：教育部人文社会科学研究青年基金项目"文本与政治:以德里达和福柯为个案来解读法国理论美国化的历程"[项目编号:14YJC752037]阶段性成果

摘　　要：文章从法国当代哲学与事件、时间的关系入手,旨在阐述以"异识"为目标的语位政治学的主要内容,诠释"后现代"一词在利奥塔思想中的含义,比较利奥塔的判断力与康德的反思判断的异同,分析后现代艺术最终走向崇高美学的原因,并由此导出"事件"对于后现代理论的特殊意义。文章最后反思了后现代理论在主体的能动与被动之间的游移不定,以及精英为持守与现实的间距而付出的思想代价。Starting from the relationship between modern French philosophy and event and time, this article attempts to expound the main idea of the politics of phrase oriented to diff6rend, to compare the differences and similarities between Kant＇s reflective judgment and the judgment of Lyotard, to analyze the reasons why postmodern art finally leads to the sublime, and thus to point out the special significance of event to postmodern theories. In the end, this article reflects on the oscillation of postmodern theories between the activeness and passiveness of the subject, and the price that elites have to pay for detaching themselves from

关 键 词：事件 异识 语位 后现代 崇高 

分 类 号：J01[艺术—艺术理论]