短篇小说元话语虚构性和嬗变性分析  

Fabrication and Transformation of Metadiscourse of Short Stories

作　　者：龚玲芬[1] 李发根[1] 

机构地区：[1]南昌理工学院外国语学院,江西南昌330044

出　　处：《西安外国语大学学报》2016年第4期57-59,共3页Journal of Xi’an International Studies University

摘　　要：本文以短篇小说的基本要素和元话语的性质、原则、功能为基准,以短篇小说各阶段艺术特征和语类观为依据,着重阐述短篇小说元话语的虚构性特点,短篇小说主人公、人物、视角与言据标记元话语、自称元话语和介入标记元话语嬗变性的特点,以其说明元话语在不同语类中表现方式具有差异性。短篇小说元话语有其特殊性:虚构性和嬗变性,理解领悟短篇小说元话语虚构性和嬗变性的特点更能加深对元话语的研究,拓宽视野,增强不同语类中的元话语的鉴别力,为写作和阅读教学提供借鉴作用。Based on the fundamental elements of short stories and the principles and functions of metadiscourse and with their artistic features and genres as datum points, this paper expounds the fabricating and transformational characteristics of short stories, with an aim to show different performance of metadiscourse in different genres. Metadiscourse of short stories is unique in its fabrication and transformation. Good comprehension of this characteristic will deepen our study of metadiscourse, broad- en our vision and help us understand the metadiscourse of different genres.

关 键 词：短篇小说 元话语 虚构性 嬗变性 

分 类 号：H030[语言文字—语言学]