论抗战时期南社词人及其词风  

On Nanshe Ci Poets and Their Ci Styles during the Anti-Japanese War

作　　者：杜运威[1] 

机构地区：[1]吉林大学文学院,吉林长春130012

出　　处：《南京理工大学学报（社会科学版）》2016年第6期14-20,共7页Journal of Nanjing University of Science and Technology：Social Sciences

基　　金：吉林大学研究生创新基金资助项目(编号:2016122)

摘　　要：由于群体性活动的停止,"后南社时代"的文学研究一直没有引起足够重视,词更是少有关注。实际上,抗战时期的南社词人不仅勇敢地承担起鼓吹抗战、批评时政等时代赋予文学的艰难使命,还创作出诸多感人肺腑、贴近民生的"词史"巨制。战争对南社词体风格造成很大冲击,部分词人在原来宗法清真、梦窗的基础上作出适应抗战需要的内部调整,而更多人开始转向稼轩,汇聚成席卷整个词坛的豪放词风。战时南社词人传承了早期"革命文学"、"民族主义"的基本精神,而斗争目标的转变又使他们即时转换词语,扩大叙述视野,丰富创作风格,迅速找到文学政治性与抒情性兼融的基本定位。Post - Nanshe literature has not received due academic attention, since there were no more group activities then, not to mention Nanshe Ci study. In fact, Nanshe poets during the Anti - Japanese War not only bravely undertook the literary mission of Anti - Japanese propaganda and political affair criticism, but also composed numerous heart - moving and livelihood - related Ci poems. Anti - Japanese War imposed great impacts on Nanshe poetic style. Some poets made internal adjustment to their previous dreamy, delicate and refined style to meet wartime needs. Many more poets resorted to Jiaxuan for inspiration, and jointly formed a bold and unconstrained style. During the wartime, Nanshe poets resumed the basic principles of early revolutionary and nationalistic poems. The shift of struggle targets prompted their timely adjustment of diction, expansion of narrative horizon and enrichment of writing styles. This helped them quickly find emotively, literarily and politically compatible orientation.

关 键 词：抗战文学 南社 抗战词 词风 

分 类 号：I206[文学—中国文学]