论戏剧演员角色的自我塑造  

Discussion on the Role of Self-shaping of An Drama Actor

作　　者：刘智强[1] 

机构地区：[1]四川文理学院音乐与演艺学院,四川达州635000

出　　处：《安康学院学报》2016年第6期88-91,共4页Journal of Ankang University

摘　　要：戏剧演员要有观察力、感受力、记忆力、幻想力和想象力,以及表演过程的速度节奏感、音乐感、自我控制的舞台经验等。戏剧表演的个人修养决定着个人表演的专业水平和未来发展。修养不仅仅是在专业知识方面,还包括各种相关艺术知识和生活体验。戏曲时空的虚拟性,将戏曲舞台局限性转化为灵活性,为演员表演的自由发挥提供条件。表演主体心灵被打动,情绪被激发,经过"生命形式"的实现,才能获得深层心灵体验的升华和超越。Drama actor requires observation, sensibilities, memory, exact and imagination, as well as the rhythm and musical sense in performance process, self control stage experience, etc. The personal accomplishments in dramatic performance determine the individual performances of professional level and future development. Art cultivation not only embody in the aspect of professional knowledge, in- cluding all kinds of art knowledge and life experience. Space-time virtual of drama convert the opera stage limitation to flexibility, it pro- vide the conditions for the free play of performance. Actor＇ s heart is touched, mood is triggered, through the realization of the ＂form of life＂, to achieve the sublimation of deep spiritual experience and beyond.

关 键 词：戏剧 演员 自我塑造 生命形式 

分 类 号：J812.1[艺术—戏剧戏曲]