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作 者:王海燕[1]
出 处:《海南师范大学学报(社会科学版)》2016年第11期15-25,共11页Journal of Hainan Normal University(Social Sciences)
基 金:国家社会科学基金项目"新时期中国小说发展史论"(项目编号:10BZW089);安徽省哲学社科规划项目"对立与和谐:新时期30年小说的发展论阐释"(项目编号:AHSKF07-08D110)
摘 要:"知青族"作家族群可细分为"下乡知青"和"回乡知青"。"知青族"是"伤痕文学"的揭幕人,参与了"反思文学"的反思;他们构成了"寻根文学"的主力阵容;他们汇聚在"新写实"小说的旗帜之下;他们在"现代主义"的土壤中萌芽生长。"下乡知青"与"回乡知青"具有时代的共性,但创作差异却是相当明显的:乡村对两类"知青族"作家的生命意义不同。两类"知青族"作家透视乡村生活的视点和痛点不同。两类"知青族"作家所偏好的小说叙事模式也不同。The movement of educated youths going to and working in the countryside in the last century has initiated a proper name—"the educated youth group"—in the history of contemporary Chinese literature. As the huge writer group can be subdivided into "educated youths to the countryside"and "homebound educated youths",they have initiated the "traumatic literature"and participated in reflections on "introspection literature ". Moreover,they have become top writers of "root-seeking literature",having grouped under the banner of novels of "new realism"and having grown up in the soil of "modernism". Despite their epochal similarity,"educated youths to the countryside"and "homebound educated youths"are quite dissimilar in their respective literary creation—differences in the life meaning of the countryside to writers of two "educated youth groups",in their respective viewpoint and pain point of scrutinizing the country life,and in their favored narrative mode of their respective novels.
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