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作 者:游嘉颖 You Jiaying
出 处:《民族艺术研究》2016年第6期122-129,共8页Ethnic Art Studies
摘 要:民族舞蹈学目前的理论基础是将民族民间舞理解为一个与其所处环境密切关联、随着环境变化而不断变化的过程。笔者分别从种族、传统、文化、民族等与民族民间舞密切相关的概念出发,在不同学科的研究基础上,阐述了民族民间舞的不断变化的本质。强调了中国的民族民间舞的研究应当建立在这个对民族民间舞的重新理解的基础上。民族舞蹈学在中国的着陆和发展目前只是一个开始的阶段。当我们讨论某一个民族民间舞的时候,我们其实不只是讨论这个舞蹈本身,还有它生存的特定环境(这个特定环境可大可小)。如果环境改变了,舞蹈本身一定随之改变。The current theoretical basis of ethnochoreology is built on the understanding of the ethnic and folk dance as a process which is closely related to, and changes with, the environment where the dance situates in. Based on different research results, the author illustrated the changing nature of ethnic and folk dance from the ethnic and folk dance - related concepts in terms of ethnicity, tradition, culture and nationality. Al- so, it is emphasized that the research of Chinese ethnic and folk dance should be built on the reunderstand- ing of the ethnic and folk dance. The introduction and development of ethnochoreology in China are still in an initial stage. When we discuss a certain ethnic and folk dance, we discuss not only the dance itself, but also the specific environment where the dance lives ( the scope of the environment could be flexible). So if the environment changes, the dance definitely changes as well.
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