《九歌》的“巫”文化研究  

Study on the Witchery Culture in Jiuge

作　　者：林祁[1] 张雪雁[1] LIN Qi ZHANG Xue - yah(School of Foreign Languages, Xiamen University of Technology, Xiamen Fujian 361000, China)

机构地区：[1]厦门理工学院外国语学院,福建厦门361000

出　　处：《中州大学学报》2016年第6期6-11,共6页Journal of Zhongzhou University

基　　金：国家社会科学基金项目"日本新华侨华人文学三十年"(13BZW135);"华侨大学华侨华人研究专项经费资助项目"(HQHRYB2015-06)

摘　　要：巫文化是人类最早的文化形态之一,《楚辞·九歌》乃为我国巫文化的杰出代表作品。本文将《九歌》置于远古巫文化的视野中重读,从"巫神形象""巫与祭""群众狂欢""乐与舞"四个方面梳理《九歌》与"巫"文化,阐述与辨析其艺术价值以及对后世文学的影响。Witchery culture is one of humans＇ earliest cultural forms. Jiuge of Chu - ci poems is a representative works of the witcheryculture in China. Jiuge is reread under the background of the ancient witcheryculture and this paper discusses the witcheryculture from four aspects： the image of sorcerer, witchcraft and worship ceremony, the mass carnival, song and dance, then recounts and analyzes the artistic value of Jiuge as well as it＇ s infuence on the later literature and art.

关 键 词：巫文化 屈原 《九歌》 艺术价值 

分 类 号：I207.22[文学—中国文学]