艺术边界及其突破:来自艺术史的个案  

Artistic Boundary and Its Breakthrough:A Case from the History of Art

作　　者：沈语冰[1] Shen Yubing(Institute of Aesthetics and Critical Theory, Zhejiang University, Hangzhou 310058, China)

机构地区：[1]浙江大学美学与批评理论研究所,杭州310030

出　　处：《北京大学学报（哲学社会科学版）》2016年第6期27-32,共6页Journal of Peking University(Philosophy and Social Sciences)

摘　　要：当绘画媒介达到其物性的临界点(变成一块空白画布的时候),人人都认为绘画已经走进了死胡同,但谁能预见当代的艺术家们又将物性(而不再是媒介性)当作了艺术表达的手段?这大概就是艺术边界及其突破的故事中最成功的案例。Everybody would think that art had come to its dead end, when the painting medium went to its critical point, i. e. , when it became a pure blank canvas. But who would anticipate that contemporary artists could change the objecthood, i. e. , the canvas itself into a kind of artistic expression？ Maybe this was the most successful case in the story of artistic boundary and its breakthrough.

关 键 词：艺术概念 艺术边界 格林伯格 迈克尔·弗雷德 德·迪弗 

分 类 号：J0[艺术—艺术理论]