传统的流变与重构:张大千晚年山水变法考略  

Evolvement and Reconstruction of Tradition:A Textual Research of ZHANG Da-qian's Change in Landscape Painting in His Late Years

作　　者：彭永馨[1] 

机构地区：[1]内江师范学院张大千美术学院,四川内江641199

出　　处：《内江师范学院学报》2017年第1期19-22,共4页Journal of Neijiang Normal University

基　　金：四川省哲学社会科学"十二五"规划2014年度项目<澄怀味象;兼容并蓄--从张大千与毕加索艺术中的文化特征比较研究看中西方艺术交融对中国画发展的影响>(SC14E006)

摘　　要：张大千是20世纪中国画坛的杰出人物,其以深厚的传统功底与全面的艺术修养而著称。但从其创造性以及对中国画发展所做的贡献来讲,是以晚年的泼墨与泼彩相结合的艺术创作为标志。ZHANG Da-qian was a prominent painter in the Chinese painting circle in the 20th century. He was known for his solid foundation of traditional Chinese painting and his personal artistic attainment. His creativity and contribution to the development of the Chinese painting were marked by his artistic creation with combination between ink-splash and color-splash painting.

关 键 词：传统 山水变法 泼墨泼彩 

分 类 号：J203[艺术—美术]