生态观视野中的文艺活动——兼论袁鼎生的“整生论”文艺理论思想  

Literature and Art Activities in the View of Ecology——Yuan Dingsheng' s Literature and Art Theory of "Whole Life"

作　　者：张少委 

机构地区：[1]广西民族大学文学院,广西南宁530006

出　　处：《玉林师范学院学报》2016年第6期99-104,共6页Journal of Yulin Normal University

摘　　要：按照袁鼎生教授的"整生论"思想,文学活动各部分组成的整体文学活动系统形成一个超循环整体结构。各个部分互相生发共生成新的整体质,整体新质反哺各个部分,各个部分不断生成新的整体质,并在结构张力与结构聚力对立统一的共生审美态势中,形成文学活动的立体圈进式整体螺旋回升的动态平衡发展。从这一理论出发,文学活动的发展经历可以分外三个阶段,古代时期以依生为基础、以再现说为范式的客体文学观,近代时期以竞生为基础、以表现说为范式的主体文学观,当代时期以整生为基础、以同构说为范式的整体文学观。according to the Professor Yuan dingsheng＇ s theory , literary activities all part of the overall system of literary form a hyper cycle the whole structure.The overall quality of each part of the germinal each other generate new, overall nurturing quality new parts, the overall quality of each part constantly generates new and structural tension in a symbiosis of aesthetic and structural cohesion and unity, stereo-literary activities as a whole rebound in spiral development of dynamic equilibrium.From this theory, literary activity go through three stages of development, in ancient times with self-organizing strategy based, with the paradigm of representation object literature, modem period with rivalry as Foundation, to say as the paradigm of literary ideology, contemporary life based literary view, isomorphic to say for the whole.

关 键 词：文艺活动 依生 竞生 整生 

分 类 号：I01[文学—文学理论]