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作 者:李燕青[1] LI Yan - qing(Department of Chinese, Yuneheng University, Yuneheng Shanxi 044000, Chin)
出 处:《菏泽学院学报》2016年第6期1-5,27,共6页Journal of Heze University
摘 要:在早期水浒故事和元明戏剧中,公孙胜是一个面目不清、可有可无的人物。但是,在《水浒传》中,他被塑造成一个道士,成了梁山领导集团的核心人物。这是因为公孙胜在书中其实是一个"叙事性人物",在《水浒传》的叙事中起着非常重要的作用。他是作者结合故事产生和创作时的社会背景,借鉴了《三国演义》中诸葛亮形象的塑造方法和历代农民起义的经验,为适应广大市民的阅读心理和期待而设置的一个人物形象,在他身上,还寄寓着作者对于梁山好汉最后出路的探索和希望。In early stories and Yuan and Ming dramas,Gongsun Sheng was a blurred and unimportant character. But in The water margin,he was portrayed as a Taoist priest and became the centre of Liangshan 's leading group. This was because Gongsun Sheng was actually a narrative and played a very important narrative role in The Water Margin. The author combined social background of story creation,learning from the image shaping method of Zhuge Liang in The Romance of The Three Kingdoms and the experience of historical peasant uprisings to meet the people's reading psychology and expectations and finally set the figure of Gongsun Sheng. Meanwhile the author pinned hopes of Liangshan Heroes' endings on him.
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