论谢灵运的山水美学思想  

On Xie Ling-yun's Aesthetic Concept of Landscape

作　　者：秦秋咀[1] 熊冬林 

机构地区：[1]衡阳师范学院文学院,湖南衡阳421008 [2]湖南南舫律师事务所,湖南衡阳421001

出　　处：《衡阳师范学院学报》2017年第1期97-102,共6页Journal of Hengyang Normal University

基　　金：教育部人文社会科学研究规划基金项目"玄学本体论与六朝文学本体论相关性研究"(15YJA751022)

摘　　要：晋宋之际,士族流连山水,惬意地隐居其间,他们在文学艺术中广泛描绘山水之美。谢灵运作为晋宋时期士族文学的杰出代表,其《山居赋》在美学史上第一次正视山水之美,表现山水的美丽与神奇,标志着山水美学的兴起。谢灵运的山水美学观念有着如下的内在逻辑:首先,一个人理当顺应一己的性情,而谢灵运推定自己的本性适合陶情山水之间,因而必然选择山居。其次,当他栖居山水之间,发现山林丘壑之美,领悟到山水实为"神丽之所"。再次,"宅心若此",吐语必朴素自然,一派天真。Between the J in and Song Dynasties, the gentry liked to stay in the landscape, and widely described their beauties in the literature and art. As an outstanding representative of the gentry＇s literature in the period of the Jin and Song Dynasties, Xie Ling-yun paid the first attention to the beauties of the landscape in the history of aesthetic in his work of Shan Ju Fu and expressed the beauties and miraculous of the landscape, which marked the rise of the aesthetics of landscape. Xie Ling yun＇s aesthetic concept of landscape had the following inherent logic. First of all, a person should adapt to his own temperament, and Xie Ling-yun presumed his nature for staying in the landscape, and therefore choosing mountain home. Secondly, he found the beauties of the mountains and valleys, and realized that the landscape actually was a beautiful place when he dwelt a mong the landscape. Thirdly, if someone focused on the beauties of the landscape, his writings about them would be simple, natural and true.

关 键 词：谢灵运 《山居赋》 山水 美学思想 

分 类 号：I207.2[文学—中国文学]