当代大众文化语境下的文学经典化——以诺贝尔文学奖获得者及其作品为例  

Literary Canonization in the Contemporary Mass Culture——Taking Winners of Nobel Prize in Literature as Examples

作　　者：綦天柱[1] 胡铁生[2] QI Tian-zhu HU Tie-sheng(School of Foreign Languages, Changchun Normal University, Changchun, Jilin 130022, China School of Foreign Language Education, Jilin University, Changchun, Jilin 130012, China)

机构地区：[1]长春师范大学外国语学院,吉林长春130022 [2]吉林大学公共外语教育学院,吉林长春130012

出　　处：《求是学刊》2017年第1期132-142,共11页Seeking Truth

基　　金：国家留学基金管理委员会资助项目"美国文学研究";项目编号:CSC97822032;吉林省社会科学基金项目"莫言研究:域外影响与自主创新";项目编号:2014B26

摘　　要：当代大众文化语境是后现代社会发展的必然结果。在该语境下,文化产业蓬勃兴起,传播手段层出不穷,文艺日趋娱乐化,新型大众文化及其全新的意识形态运作方式令既有的文学经典化之路受到了前所未有的挑战,"文学已死"的呼声不绝于耳。而三十余年来,诺贝尔文学奖获得者在其创作中,采取与时俱进的积极态度,结合本质主义与建构主义,坚持个性化发展,既为当代大众文化与文学经典化之间的矛盾做出了合理的诠释,也为当代文学的发展找到了新的出路。The contemporary environment of mass culture is the inevitable consequence of development of post-modern society, in which cultural industry is developing fast, modern media are coming forth and arts intend to become the means of entertainment, thus the literary canonization has witnessed much more severe challenges with the entirely new ideological mechanism as the typical characteristics of contemporary mass culture, and even worse a heated discussion that ＂literature dies＂has been formed. Nevertheless, the winners of Nobel Prize in literature, in their literary creation in more than thirty years, have adopted the active attitude of keeping pace with the times, combined essentialism with constructivism, insisted on the development of personalization, and finally made their contributions to both the reasonable interpretation of the contradiction between contemporary mass culture and literary canonization, thus finding the path for the development of contemporary literature.

关 键 词：大众文化语境 当代文学 经典化 

分 类 号：I106[文学—世界文学]