跨文化视野下《金瓶梅》的“文本身份”  

The Textual Identity of Jin Ping Mei in the Intercultural Perspective

作　　者：黄文虎[1] 

机构地区：[1]华侨大学文学院,福建泉州362021

出　　处：《集美大学学报（哲学社会科学版）》2017年第1期92-98,共7页Journal of Jimei University：Philosophy and Social Sciences

基　　金：福建省社会科学规划项目(2014C057)

摘　　要：《金瓶梅》的"文本身份"存在争议,不正视这一问题,就无法准确把握这本奇书的整体创作风格。20世纪以来,中国学界的主流观点受到"史传书写"观的影响,倾向于将《金瓶梅》视为一部现实主义小说,而往往忽略了作品中"非写实"的一面。与此相对,美国学界则受到"形式主义"的影响,将《金瓶梅》视为一个独立的艺术审美对象,注重挖掘其"虚构性"特质。以海外汉学为参照对象,对中美学界代表性观点进行对比,有助于从一种更为全面、开放的国际化视角来审视这部奇书中写实与虚构之间的关系。The textual identi ty of Jin Ping Mei has been a debated issue for a long time. If this problem is ignored, we will fail to grasp the complicated style of this book. From the 20th century, Jin Ping Mei has been seen as a realistic novel in Chinese ac-ademic circles. However, the non - realistic side of this book has been neglected. On the contrary, the fictionality of this book has been explored by American academic circles from the narratology perspective. According to the comparison with the typical o-pinions of Chinese - American academic circles, it is helpful to survey the relationships between reality and fictionality about this book in a more comprehensive and international perspective.

关 键 词：《金瓶梅》 文本身份 虚构性 写实性 

分 类 号：I207.419[文学—中国文学]