戏台——乡村权力矛盾的实体化建构——基于高平市康营村的个案研究之一  

Temple Theaters——Substantial Construction of Rural Powers——A Case Study of Kangying Village in Gaoping City

作　　者：颜伟[1] 曹飞[1] 

机构地区：[1]山西师范大学戏剧与影视学院

出　　处：《戏剧（中央戏剧学院学报）》2016年第6期43-54,共12页Drama:The Journal of the Central Academy of Drama

基　　金：全国哲学社会科学规划办公室"中国戏曲碑刻的收集整理与研究"(项目编号:13BZS017);山西省人文社科基地项目"山西戏曲碑刻集成"(项目编号:2013317);山西师范大学"中国古代演艺场所研究"课题组;山西师范大学博士生创新项目"村社与戏台--以明清高平神庙剧场为中心"的阶段性成果

摘　　要：山西省高平市康营村现存庙宇23处,碑刻41通2,具有极强的庙宇群组特征、村落庙宇布局典型性以及乡村神庙演剧多样性。一村之中,历史上先后建修了五座戏台,分别为天齐庙戏台、成汤庙戏台、东关帝庙戏台、西关帝庙戏台以及五龙宫戏台。3在一定的时空范围内,它们与其所附属的庙宇呈现层层叠加的状态,并且不存在可以相互取代的关系。它们依托乡村家族势力、知识分子阶层以及"社"与"会"权力的矛盾与变化,营造出同一乡村空间下的相异的神庙祭祀及其演剧。In Gaoping city, Shanxi Province, there are 23 temples and 41 inscriptions featuring the temple clusters, layout of temples in the village and the diversity of performance of rural temple theater. In history, five temple theaters have been built one after another in the village, namely Tianqi Temple Theater, Chengtang Temple Theater, Dongguandi Temple Theater, Xiguandi Temple Theater and Wulong Temple Theater. In the specific time and space, the temple theaters and temples are located layers upon layers and each becomes unique and indispensable. Supported by different clan power, intellectual class and social power which are constantly changing and in conflict, these local temple theaters function as different worshiping and performing places in one village.

关 键 词：神庙剧场 村社 宗族 高平 

分 类 号：K879.1[历史地理—考古学及博物馆学] J809.2[历史地理—历史学]