电子媒介时代审美范式转型与文学镜像  

The Transition of Aesthetic Paradigm of Electronical Media Era and the Mirror Image of Literature

作　　者：胡友峰[1] 

机构地区：[1]山东大学文艺美学研究中心,教授博士生导师济南250100

出　　处：《浙江社会科学》2017年第1期103-113,共11页Zhejiang Social Sciences

基　　金：国家社科基金项目"电子媒介时代文学变革与文论话语转型研究"(10CZW004)阶段性成果

摘　　要：电子媒介时代审美范式发生了从"形象"向"拟像"的转型,导致了文学的异变。这种异变主要表现在文学形态从"读"转向了"看",文学功能从"文学性"转向"娱乐性",文学趣味从"精神性"转向"世俗性",文学理想从"审美救世"转向"娱乐消费"。这种异变引发了文学审美空间的变化。电子媒介时代文学走出异变的途径在于:摆脱媒介的形式偏好,面向文学的实践召唤;恢复文学的想象和形而上学功能;呼唤一种"尊灵魂"的文学创作原则。The aesthetic paradigm of electronical media era has transferred from ‘image' to‘simulacra', which resulted in the mutation of literature. This mutation manifested mainly that the modality of literature has transformed from ‘reading' to ‘seeing', the faculty of literature from ‘literariness' to‘entertaining', the literary taste from ‘spiritual' to ‘secular', and the ideal of literature from ‘aesthetic salvation' to ‘entertainment assumption'. It led to the change of the aesthetic roomage of literature. The way to surmount it is to free itself from the preference to the form of media to confront the practical summon of literature, to reboot the imagination and metaphysics faculties of literature, and to expect a kind of ‘soulrespected' of writing principle.

关 键 词：电子媒介 审美范式 转型 文学镜像 

分 类 号：I01[文学—文学理论]