船山词中的音韵修辞  

Rhetoric in Ci by Wang Chuanshan from the Aspect of Phonology

作　　者：彭再新[1] 潘群辉 唐丽妮 程雅琴[1] 

机构地区：[1]南华大学文法学院,湖南衡阳421001

出　　处：《南华大学学报（社会科学版）》2017年第1期16-21,共6页Journal of University of South China(Social Science Edition)

基　　金：湖南省教育厅科学研究项目“王夫之修辞观与诗词创作实践研究”资助(编号:16C1419);衡阳市社科基金项目“王夫之诗词修辞研究”资助(编号:2015HSJ19/2015B(I)008);南华大学古代湖湘地域文学文化生态研究基地专项资助

摘　　要：船山词之声律多被人批评,殊不知船山作词时是很讲究声律的。从音韵角度研究船山词,可以发现船山非不懂音律,而是有意识地运用了多种音韵修辞。这些修辞手段包括传其声情、和其音韵、协其音节,不仅使其词作具有音乐美和造型美,而且还和所表达的感情非常契合。Metering in Ci by Wang Chuanshan has been criticized too often. However, studied from the angel of phonology, it＇ s found to have intentionally applied a great variety of pholonogical rhetoric, including means of conveying its phonological emotions, har- monizing its metres and syllables, thus giving it beauty in music and form as well as a harmony with its intended emotions.

关 键 词：船山 词 音韵修辞 分类 作用 

分 类 号：I207.23[文学—中国文学]