简论意境与禅境之别及其绞缠——兼答杨矗诸君  

Difference and Nexus between Yijing and Chanjing:a Brief Discussion and Response to Yang Chu

作　　者：顾祖钊[1] Gu Zuzhao(is a professor in the College of Liberal Arts at Anhui University （Hefei 230039, China)

机构地区：[1]安徽大学文学院

出　　处：《文艺理论研究》2017年第1期67-77,46,共12页Theoretical Studies in Literature and Art

摘　　要：诗与禅的关系,是文学史的一大难题。本文首先简要考察了意境论形成的历史过程,意在说明它是华夏文化独创的审美范畴,是外来文化篡改不了的;又根据南宗《坛经》,揭示了禅境无相、无情和它的不以审美为目的的特征,突出了禅境与意境的根本区别;并依此廓清文学史上的种种误解和误导,并对杨矗诸君的非难与误读,作适当辩解。而提倡尊重历史和讲究学理的建树与批评。The nexus between poetry and Chan is a hard issue in literary history. The paper outlines the formation of the theory of yijing, the ideo-mood-imagery, or the poetically evoked realm so as to tell that yijing is an original Chinese aesthetic category and it cannot be distorted by alien culture. The article, drawing on Sutra Spoken of Southern Buddhism, proceeds to show that chanjing, or the zen-induced realm, is characterized by the absence of images and emotions and aesthetic purposes, thus highlighting the basic difference of Yijing and Chanting. The above argumentation aims to clarify various kinds of misunderstandings about this and respond to Yang Chu＇s critical views and misreading.

关 键 词：禅境 意境 境界 区别与绞缠 

分 类 号：I207.22[文学—中国文学]