康德人本主义音乐美学研究  

The Study of Kant's Humanism Aesthetics of Music

作　　者：方小笛[1] FANG Xiaodi(School of Humanities and Social Science, Xi＇an Jiaotong University, Xi＇an710049, China)

机构地区：[1]西安交通大学人文社会科学学院,陕西西安710049

出　　处：《西安交通大学学报（社会科学版）》2017年第1期119-123,共5页Journal of Xi'an Jiaotong University：Social Sciences

摘　　要：康德哲学集中于人的主体精神、理性精神、自由精神、求知精神的问题研究。"人是他自己的最终目的"——构成康德哲学一以贯之的纲领性范畴,并成为其哲学人本化的最终归宿。以康德"人为自然立法"、"自由为人立法、自律而自由"为基本视域,以"人是目的"为价值终点,以他对于艺术美学的批判为线索,探讨了其人本主义音乐美学的价值。Kant philosophy focuses on people＇s subjective spirit, the rational spirit, the spirit of freedom, the spirit of knowledge seeking. Human is the ultimate goal of his own - this is the principle concept that goes through Kant＇s philos- ophy and becomes the final destination of his humanism. This paper, based on the guiding principle of Kant＇s ＂Human legislate for nature＂ ,＂ Freedom is human＇s law, discipline leads freedom＂, taking his philosophy of ＂Human is the uhimate goal of his own＂ as the destination of value and his critique of art aesthetics values of music aesthetics.

关 键 词：康德 自由美 依附美 人本主义 

分 类 号：B83[哲学宗教—美学]