话语符号学视角下的《叙事作品结构分析导论》  

Re-reading “Introduction à L'analyse Structurale Des Récits”:A Perspective of Semiology of Discourse

作　　者：韩蕾[1] HAN Lei(Department of Chinese Language and Literature, East China Normal University, Shanghai 201100)

机构地区：[1]华东师范大学中文系,上海201100

出　　处：《中国文学研究》2017年第1期10-14,共5页Research of Chinese Literature

基　　金：作者教育部2016年人文社会科学一般项目青年基金"法国当代文论与古典诗学的关系"(16YJCZH025);中国博士后基金会第58批面上资助项目"罗兰.巴尔特的话语符号学与意识形态批判"(2015M581561)的阶段性成果

摘　　要：距罗兰·巴尔特的《叙事作品结构分析导论》发表已有半个世纪,然而此文的重要性却并未式微,它期待着读者的重读与新解。借助于话语符号学的视角,本文尝试解读巴尔特对叙事话语结构与形态规则的掌握、对语言学和超语言学形态同质性的理解、对超语言学的设想以及对未来话语符号学雏形的建构,一并分析在法国符号学从语言系统语言学模式下的符号学到话语语言学模式的关键转折阶段巴尔特所起到的重要作用。It has been half a century since the publication of Roland Barthes＇ critical paper ＂Introduction d l＇analyse strueturale des rrcits＂; until now it is very important and on various ocoasion opens itself to the reader＇s re-reading and re-interpretation. From the perspective of semiology of discourse, this paper attempts to discuss Barthes＇ structural analysis of narratives, and relates it to his theoretical constructs of translinguistics and semiology of discourse; and altimately, this paper sets as its tasic to estimate positively the role Bartnes plays in the paradigm shifting period in the history of French semiology.

关 键 词：罗兰·巴尔特 叙事学 话语符号学 话语语言学 结构分析 

分 类 号：I0[文学—文学理论]