民国室内设计的现代性诉求  

The Modernity Pursuit of Interior Design in the Republic of China

作　　者：陈曦[1] 陶金鸿[1] 

机构地区：[1]江苏第二师范学院美术学院

出　　处：《创意与设计》2016年第6期98-101,共4页Creation and Design

基　　金：江苏省教育厅2013年度高校哲学社会科学基金资助项目<东西方文化交融的民国室内空间设计研究>(项目编号:2013SJB760009)的研究成果

摘　　要：民国时期折衷主义设计手法盛行,室内设计以中式传统风格为基础,引入西方先进的装饰材料与技术,既保持着中式端庄典雅的特点,又有着西式时尚新潮的风格,从空间组织、装饰造型、材料及家具陈设方面均映射出了当时的社会对于西方文化与其艺术形式的一种现代性诉求,并一直影响到我国今天的室内设计。The design techniques of Eclecticism prevailed the Republic China era. The interior design then, which was based on the traditional Chinese style, together with the imported and sophisticated decoration materials and techniques of western world, conserved the dignity and elegance of China, while integrated with the trendy western style. Its spatial organization, adornment and decoration, and materials and furnishing all embodied the modern value request for western culture and art forms of the society at that time. Moreover the fruit of Eclecticism still takes its place in today＇s interior design of China.

关 键 词：民国室内设计 折衷主义 东西方文化 现代性 

分 类 号：TU238.2[建筑科学—建筑设计及理论]