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作 者:闫雪[1]
机构地区:[1]上海社会科学院宗教研究所
出 处:《民族研究》2016年第5期98-110,共13页Ethno-National Studies
基 金:中国博士后科学基金会特别资助项目(资助编号:2014T70158)的阶段性研究成果
摘 要:西藏甘丹彭措林寺内的美术遗存近年渐受学界关注,却鲜有人留意其设计独特的寺院格局。本文主要分三部分:第一,根据以《甘丹彭措林寺志》为主的几部藏文文献,对寺院的原始格局进行整体复原。第二,论证寺院格局的印度渊源。通过对比彭措林寺的创建者多罗那他所撰的几部藏文著作,以及法显、玄奘等所撰的印度游记中的描述,证明彭措林寺系仿照古印度给孤独长者为佛陀修建的祇园精舍的格局而设计。第三,讨论寺院格局的成因,多罗那他的印度情结促使他创造了这座西藏独一无二的印度式的祇园精舍,同时又兼顾了觉囊派的佛教思想特色。In recent years,the artistic remains in dGa' ldan phun tshogs gling monastery in Tibet have attracted a great deal of interest among art historians,but few of these scholars noticed the unique architectural style of the monastery,which is the main topic of this paper.There are mainly three parts in this paper:Firstly,the whole image of the original architectural style of the monastery will be reconstructed based on the Tibetan text of the Chorography of dGa'ldan phun tshogs gling Monastery as well as other related Tibetan documents.Secondly,by comparing the descriptions in the Tibetan works attributed to Tāranātha who was the founder of the monastery and the Chinese works written by Fa Xian and Xuan Zang,it confirms the Indian origins of the architectural style of the monastery,which is indeed the reproduction of the Jetavana in India that was offered to the Buddha'Sākyamuni by Anāthapindada.Lastly,the cause of the architectural style of the monastery will be discussed,that is,exactly,Tāranātha's obsession with India,which prompted him to create this unique Jetavana in Tibet with simultaneously embodying the spirit of Jo nang Buddhism.
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