论宋人家集的编集刊刻及传播范式  

Study on Communication Paradigm of the Collected Works in Song Dynasty

作　　者：刘晖[1] 

机构地区：[1]华南师范大学文学院,广东广州510000

出　　处：《安康学院学报》2017年第1期64-68,共5页Journal of Ankang University

摘　　要：本文所指"家集"突破了文献目录学的范畴,专指其编集刊刻的传播形态。家属后裔作为宋人文集的重要传播者,他们的编集刊刻行为在两宋的发展是不平衡的。而南宋时,家集纂刻成为突出的文化现象值得后人关注。家集是以塑造崇高道德形象的隐含作者为纂刻理念,通过发掘潜文本,编撰全文本,并积极谋求刊刻的途径使其传播于世。这种纂刻传播范式带给后人有益的启示。This article refers to ＂This collection of family essays＂ break through in the bibliography category, refers specifically to the communication pattern. As an important communication, the descendants of families played a major role, but is not balance in Song dynasty, which is become a prominent cultural phenomenon worthy of attention in the Southern Song Dynasty. The collected is to shape noble moral image of the implied author for compilation and engraving philosophy, by exploring the hidden text, compilation of full text, and actively seek to publish openly in the way to spread. The communication paradigm brings the descendants of enlightenment.

关 键 词：宋人 家集 纂刻 传播 范式 

分 类 号：I206.2[文学—中国文学] G256[文化科学—图书馆学]