作为启蒙的“民间文学”——革命语境下左翼文学对“歌谣体”新诗的建构  

Folk Literature as an Enlightenment Resource:The Construction of the New Ballad Poetry in the Left-wing Literature under the Revolutionary Context

作　　者：李瑞华[1,2] 

机构地区：[1]商丘师范学院文学院 [2]首都师范大学文学院

出　　处：《民俗研究》2017年第2期75-82,共8页Folklore Studies

基　　金：2012年度国家社会科学基金项目"20世纪40年代中国左翼文学创作研究"(编号:12BZW087)阶段性成果

摘　　要：五四时期,"歌谣体"成为新诗创作的重要来源,作为一种新诗实践,它在丰富诗歌表现形式的同时,还承载了启蒙主体的"平民化"诉求。三十年代在左翼文学"大众化"口号下,中国诗歌会倡导的"新诗歌谣化"又赋予了歌谣体以新兴阶级话语,在左翼主流话语逐步建构之下,四十年代"歌谣体"新诗渐趋圆熟。通过考察现代文学历程中"歌谣体"新诗的建构和发展,可以看到左翼文学"场域"对文学话语形式的决定作用和新诗建设中的得失,也会进一步引发对现代汉语诗歌发展方向的有益思索。During May 4th Movement,New Ballad Poetry became an important source of new poetry creation.As a new practice,it enriched the expression forms of poetry while bearing the'civilian'demands of the enlightening subjects.In the 1930 sunder the slogan of'popularization'of Left-wing literature,New Ballad that was advocated by Chinese Poetry Society was given the discourse of emerging class.Under the successive construction of the Left-wing'ss mainstream discourse,New Ballad Poetry gradually matured in the 1940 s.By examining the construction and development of the new poetry in the history of modern literature,we can see that the'field'of the left-wing literature had a decisive effect on the form of literary discourse as well as the gains and losses in the construction of new poetry,which will further trigger useful thinking about the developing direction of modern Chinese poetry.

关 键 词：歌谣 民间 左翼 大众化 民族形式 

分 类 号：I207.25[文学—中国文学]