“音研所”的学术传统——中国音乐学史及其体系研究之一  

Academic Traditions of Music Institute: Chinese Musicology History and Its System

作　　者：郭威[1] Guo Wei

机构地区：[1]中国艺术研究院音乐研究所,北京100029

出　　处：《艺术探索》2017年第1期112-118,共7页Arts Exploration

摘　　要：中国艺术研究院音乐研究所成立60余年,不仅为音乐学科建设奠定了基础,更为理论研究开创了学术体系。其所构建的学术体系依托业务培训、研究生教育以及对外的学术交流而得以传承、传播。"音研所"不仅指一个学术组织,更具备一种符号学意义,包含"学术共同体""学术资料库""学术理论源"三种"所指"。全局观、本体观、整体观是"音研所"学术理念(学术观)的基本特征;重视考察但不唯"田野"论,重视资料但不唯"文献"论,重视交流但不唯"他学"论,是其方法论特点。"音研所"作为中国音乐研究"国家队"的身份,学术群体构成的多元化,学术资料占有的丰富性,促成了上述学术特征的形成。Over the more than 60 years since its foundation, music institute of Chinese National Academy of Arts has laid solid foundation for music as a discipline and developed in providing on-the-job training programs, postgraduate program as well as international exchanges. Semiotic connotation has accrued to music institute over the years which includes aca- demic community, academic data base and academic theories pool. The academic view points of music institute are char- acteristic of holistic and ontological thinking. In carrying out research, they have made it a rule to put premium on field trips, literature review and international exchanges and not stretch it, which results from its status as a national institution for arts research, talents pool, and resourceful academic data.

关 键 词：音研所 学术传统 中国音乐学史 学术体系 

分 类 号：J609.2[艺术—音乐]