拟乐府与五律的形成  

Literary Yuefu and the Forming of Poems that Consist of Eight Lines with Five Words in Each Line

作　　者：易闻晓[1] 

机构地区：[1]贵州师范大学文学院

出　　处：《南开学报（哲学社会科学版）》2017年第2期29-37,共9页Nankai Journal:Philosophy,Literature and Social Science Edition

基　　金：国家社会科学基金一般项目(12BZW013)

摘　　要：文人拟乐府在汉代已经开始,《古诗十九首》造语、意态本于乐府古辞,乃是拟乐府的产物。拟乐府逐渐出脱乐府叙事以及描写、对话的长篇敷衍,转而主情,出之以象,并以字句锻炼、属对讲求,导致篇幅缩短,谢灵运山水诗属对已造精工,预为永明声律规范。声律规范联对,形成四联之制,卒使五律定篇。五律的形成,乐府五言是为基础,拟乐府是其演变,联对结构与声律规范最为关键。Literary Yuefu that were written by literary scholars first began in Han Dynasty. The diction, meaning and tone of the poems in the collection Nineteen Ancient Poems originated from the ancient rhymes of Yuefu, and the poems were products of literary Yuefu. Literary Yuefu gradually discarded traditional Yuefu＇s emphasis on narration, description, and dialogues. In turn, it focused on the expression of emotions, the use of images, the conciseness of wording, the strictness of couplets, and the shortening of poetic length. Xie Lingyun＇ s poems about mountains and waters are so refined in their poetic rhymes and meters that they could actually serve as the paradigms of poetic patterns in Yongming period. The poetic meters regulate the couplets, and there are four couplets in a poem, with five characters in each line. This new poetic form grew out of the five-word poetic lines of Yuefu. The literary Yuefu was a transitional product, and the strict couplet system and rhythmic patterns became the keys of this new poetic form.

关 键 词：乐府 拟乐府 联对 声律 

分 类 号：I207.22[文学—中国文学]