论南唐后主词之自然与悲慨  

Spontaneity and Indignation in Li Yu's Ci

作　　者：朱绍雨 范嘉晨[1] ZHU Shao-yu FAN Jia-chen(School of Literature, Qingdao University, Qingdao 266071, China)

机构地区：[1]青岛大学文学院,山东青岛266071

出　　处：《唐都学刊》2017年第2期123-127,共5页Tangdu Journal

摘　　要：前人论南唐后主词颇多,却鲜有确论概括后主之词旨。今以《二十四诗品》之"自然"与"悲慨"尝试论述后主词,其"自然"之表现在:意象选取的自然贴切、情感抒发的率性任真和语言风格的本色天然。而悲慨则是李煜后期词作的意境呈现,其后期词抒写了个人命运之悲与家国巨变的伤痛,再一进推及人世无常的悲叹,构造出后主词深沉博大的"悲慨"之境,从而成就了后主在词史上的独特地位。There are many commentaries by previous scholars on Li Yu＇s Ci （ Note： Li Yu ： emperor of Southern Tang Dynasty）, but the intention of his works is rarely summarized. This paper is aimed at making a summary by its traits of spontaneity and expression in the following aspects： indignation in his Twenty-four Poetic Styles. Its spontaneity finds its proper natural and appropriate in image selection, straightforward and sincere in emotional expressions and natural linguistic style. Indignation characterizes his later works, expressing the sorrow of his own fate and the anguish of fall of his nation, lamenting the life＇s uncertainty, creating a broad and deep tone of grief and indignation, and thus earning him the unique position in the history of Ci.

关 键 词：南唐 后主词 《二十四诗品》 自然 悲慨 

分 类 号：I206.2[文学—中国文学]