孔子的音乐思想  

Confucius' Thoughts on Music

作　　者：谢美琳[1] 

机构地区：[1]内蒙古师范大学音乐学院,内蒙古呼和浩特010022

出　　处：《内蒙古师范大学学报（哲学社会科学版）》2017年第1期134-136,159,共4页Journal of Inner Mongolia Normal University：Philosophy and Social Sciences Edition

摘　　要：以孔子为主的儒家音乐思想成为中国历史上第一个较完整的音乐思想体系。作为我国古代音乐思想的主流,对我国音乐文化及当今世界音乐文化的发展产生巨大影响。儒家追求"中和"、"淡和’,对中国古代音乐形成适度、含蓄的特点有促进作用。由于儒家过分强调"礼乐",反对、打击变革创新思想,使音乐没有独立为一门为艺术而艺术的音乐,当时的音乐始终背负为政治而存活的负担。站在统治阶级立场的孔子,当时就已经看到了音乐的政治价值和艺术意义,也为音乐的运用指出了道路。Confucianist thoughts on music, which is mainly represented by Contuclus, IS the nrst com- plete ideological system on music in Chinese history. It is the mainstream thought on music in ancient Chi- na and has huge influence on music culture of China and the world. Confucianism pursues neutralization and emotionlessness, which promotes the features of moderation and implication in Chinese ancient music. Confucianist overemphasis on ＂rite and music＂ and its opposition and attack against innovation didn＇t allow music to become an independent art form, but enabled it to be a part in politics. Confucius, who represen- ted the ruling class, realized the political significance and artistic value of music, which pointed out the road of the use of music,

关 键 词：孔子 音乐思想 

分 类 号：B222.2[哲学宗教—中国哲学]