卢西恩·弗洛伊德“废新立旧”的艺术观研究  

Study on Lucian Freud's Art Concept" of “Abolish the New and Recover the Old”

作　　者：郑炜[1] 

机构地区：[1]江西科技师范大学,江西南昌330038

出　　处：《江西科技师范大学学报》2017年第1期107-111,共5页Journal of Jiangxi Science & Technology Normal University

基　　金：2013年江西科技师范大学年度一般项目(人文社科)"卢西恩.弗洛伊德废新立旧的艺术观研究"(编号:300098010610;主持人:郑炜)最终成果;2014年度江西省艺术科学规划项目(青年项目)"反向集大成--卢西恩.弗洛伊德之艺术观研究"(编号:YG2014058;主持人:郑炜)的阶段性成果之一

摘　　要："废新立旧"是卢西恩·弗洛伊德反向艺术观的重要特征。卢西恩·弗洛伊德的艺术创作明确弘扬和创新传统的艺术形式,抵触时尚、花哨的艺术形式;他给油画注入新的形式语言,宣告传统艺术并未死亡,而且具有无限的生命力。为艺术"拨乱反正""正本清源"是卢西恩·弗洛伊德"废新立旧"艺术观形成的根本原因;敢于反抗流行的勇气与他自小形成的逆反心理有关;童年时所接触的艺术品使他一直不愿苟同现代主义的艺术倾向。＂abolish the new and recover the old＂ is an important feature of Lucian Freud＇s reverse art concept. His artistic creation clearly carried forward and innovated the traditional art forms, opposing to the fashionable and gaudy art form; he poured the new forms of language into oil painting and showed that traditional art was not dead, but had the infinite vitality. To ＂bring order out of chaos＂ and ＂radically reform＂ was the fundamental reason of Freud＇ artistic conception formation; his courage resisting the popular was related to his reverse psychology formed when he was young; the works of art he saw in his childhood made him reluctant to agree with the modernism trend of art.

关 键 词：卢西恩·弗洛伊德 艺术 观念 

分 类 号：J110.9[艺术—艺术理论]