从原生到重构看壮族民歌的历史与变迁  

On the History and Vicissitude of the Folk Songs of the Zhuang Nationality from the Original to the Reconstruction

作　　者：党宇娜[1] 

机构地区：[1]广西师范大学音乐学院,广西桂林541004

出　　处：《渭南师范学院学报》2017年第7期73-78,共6页Journal of Weinan Normal University

基　　金：国家社科基金项目:壮族民歌演唱艺术研究(15BD051)

摘　　要：翻开壮族的历史,无论是文化传承、民俗风情还是情感交流,民歌都是嵌入其中的。民歌表情传意的艺术形式和功能,使我们无不感受着壮族诗性思维的极度浪漫。然而,伴随周边社会语境的变迁,壮族这种原生民歌的诗意表现方式却在逐步弱化,取而代之的是与周边民族交流、融合的新民歌样式。探寻壮族族群心理与文化内涵,审视民歌文化表现形式与意义所指,是当代民歌文化研究的重要领域。When the history of the Zhuang nationality opened, whether it is cultural heritage, folk customs or emotional ex-changes ,folk songs are embedded in them. The artistic forms and functions of the expression of folk songs make us feel the extreme romance of Zhuang’s poetic thinking. However, with the vicissitudes of the surrounding social context, the poetic expression of the native folk songs of the Zhuang ethnic group is gradually weakened, and replaced by the new folk style of communication and inte-gration with the neighboring ethnic groups. Exploring the psychological and cultural connotation of Zhuang ethnic groups, and exami-ning the forms and meanings of folk cultural expressions, are the important fields of contemporary folk culture research.

关 键 词：原生 重构 壮族民歌 变迁 

分 类 号：J652[艺术—音乐]