多重隐秘符码的文化容器——从次要人物解构《喊山》  

Cultural Container Multiple for Secret Symbols——Deconstructing Out in the Silence Based on Minor Characters

作　　者：王宏[1] 

机构地区：[1]太原学院中文系,山西太原030051

出　　处：《菏泽学院学报》2017年第1期54-58,共5页Journal of Heze University

摘　　要：《喊山》作为葛水平的经典之作,有很多解读方式。重读《喊山》,从次要人物入手,深入挖掘作品内涵,会发现文本是一部隐藏着诸多符码的文化容器。腊宏恣肆的"暴力"、琴花尴尬的"妖女性"、红霞无言的"失语"、腊宏前妻潜在的"被蚕食"以及村长王胖孩浑然天成的"自足",化外世界不仅笼罩着深刻的先民文化,而且有着难以言说的男权文化的渗透。There are many ways of interpretation of Ge Shuiping, s Out in the Silence. Starting with the minor characters to reread the works and deepen its connotation, the paper thinks it a cultural container with many sym-bols. From La Hong, s unrestrained violence, Qin Hua,s embarrassing female animality, Hong Xia,s silent aphasi-a and potentially being eroded of La Hong, s former wife,s to Wang Panghai,s natural self - contentment, all these show the external world has not only descended the ancestor culture, but also had an unspeakable penetration of pa-triarchal culture.

关 键 词：《喊山》 文化小说 小农 女性 先民 

分 类 号：I207.427[文学—中国文学]