明代温州文学家何白的均州沧浪游记考略  

Travels on Canglang in the State of Junzhou by Litterateur HE Bai from Wenzhou in the Ming Dynasty

作　　者：田运科[1] 李垣璋[2] 

机构地区：[1]湖北工业职业技术学院公共课部 [2]湖北工业职业技术学院科技处,湖北十堰442000

出　　处：《湖北工业职业技术学院学报》2017年第1期41-44,52,共5页Journal of Hubei Industrial Polytechnic

摘　　要：明末文学家何白的《游沧浪亭记》融记述、描写、抒情、思辨于一体,为后人了解均州沧浪亭留下了宝贵资料。结合其他诗文的描述,均州沧浪的建筑布局,主要分为沧浪亭、真武殿、文昌阁三大建筑群,也反映了以沧浪亭为代表的儒家文化、以真武殿为代表的道教文化,和以玉峰庵、金塔银塔为代表的佛教文化之间的共存融合。《游沧浪亭记》中表达的"复请为沧浪主人"的沧浪愿望,与他后半生隐居家乡田园有着密切联系。Travels on Canglang Pavilion by Litterateur HE Bai in the late Ming Dynasty combines marration,description, expression and philosophical thoughts in one ,leaving the valuable data for future generation to better understand Canglang pavilion. In combination with generations to better understand Canglang pavilion.In coblination with other poems＇ description,architecture layout of Canglang pavilion can be mainly divided into Canglang Pavilion ,Zhenwu temple, Wenchang Pavilion;it also reflects the cultural coexistence of the Canglang Pavilion as the representative of the Taoist euhure,Yufeng temple and Jinyin Tower as the representative of Buddhism.Wish to be master of Canglang expressed in Travels on Canglang Pavilion is closely related to his life and pastoral seclusion in his hometown.

关 键 词：均州沧浪 儒家文化 道教文化 佛教文化 隐逸思想 

分 类 号：G127[文化科学] I207.6[文学—中国文学]